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Stanley Février.

menm vye tintin. les vies possibles

December 9, 2021 - October 16, 2022

The Musée national des beaux-arts du Québec, in collaboration with RBC Fondation, its financial partner, is proud to present the exhibition of artist Stanley Février, recipient of the fourth MNBAQ Contemporary Art Award.

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Manasie Akpaliapik

Inuit Universe. The Raymond Brousseau Collection

June 18, 2021 - January 8, 2023

With Manasie Akpaliapik.Inuit Universe exhibition, the Musée proposes to his visitors a selection of 40 sculptures forged between 1997 and 2003 in the fertile imagination of this masterful creator.

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How Are You?

April 21, 2022 - January 8, 2023

The How are you? project highlights the benefits of art and creativity to mental, emotional, and physical health. Each work on display is a portrayal of an invisible state an a catharsis.

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Family Gallery

July 7, 2021 - October 23, 2022

Who said that a work of art had to remain motionless? With its four kinetic sculptures, the exhibition «Peninsulas» places movement at the heart of the young public's experience.

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Healing: the sanatorium experience


March 24, 2022 - January 8, 2023

An exhibition about the experience in Quebec's sanatoria in the early 20th century, during which tuberculosis has served as a source of inspiration for many artists.

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Pavlova: ephemeral artwork

October 25, 2019 - January 8, 2023

Doyon-Rivest’s work explores the principle of the reward pathway: activities that trigger the release of dopamine in our body induce a state of euphoria and generate seeking of immediate pleasure.

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Jordi Bonet

Celebration for the 50th anniversary of the Grand Théâtre de Québec

May 27, 2021 - January 8, 2023

Vibrating to the rhythm of the cultural community of its city, the MNBAQ is pleased to participate in the festivities of the 50th anniversary of the Grand Théâtre de Québec by paying tribute to Jordi Bonet.

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350 Years of Art Practice in Québec

November 15, 2018 - January 8, 2023

In the first half of the 20th century, challenges to an institutional academicism that had come to be seen as backward looking favoured the emergence of new cultural networks that advocated a conception of art foregrounding visual experimentation and artistic independence.

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