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Manasie Akpaliapik

Inuit Universe. The Raymond Brousseau Collection

June 18, 2021 - February 12, 2023

With Manasie Akpaliapik.Inuit Universe exhibition, the Musée proposes to his visitors a selection of 40 sculptures forged between 1997 and 2003 in the fertile imagination of this masterful creator.

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March 13, 2021 - March 6, 2022

Suite au défi lancé sur nos médias sociaux en avril 2020, quelques-unes des meilleures réinterprétations de tableaux de notre collection seront jumelées aux œuvres qui les ont inspirées.

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Family Gallery

July 7, 2021 - October 16, 2022

Who said that a work of art had to remain motionless? With its four kinetic sculptures, the exhibition «Peninsulas» places movement at the heart of the young public's experience.

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A Rohingya Story

May 14, 2021 - February 20, 2022

Multidisciplinary exhibition, featuring photographs, film excerpts, soundscapes, testimonies, children's drawings as well as a hundred dioramas by the artist Karine Giboulo. Immersion in the daily life of the Rohingya refugees.

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Jordi Bonet

Celebration for the 50th anniversary of the Grand Théâtre de Québec

May 27, 2021 - May 2, 2022

Vibrating to the rhythm of the cultural community of its city, the MNBAQ is pleased to participate in the festivities of the 50th anniversary of the Grand Théâtre de Québec by paying tribute to Jordi Bonet.

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Where Do We Come From? What Are We? Where Are We Going?

September 8, 2020 - October 31, 2021

The exhibition is named after a major work by Jean McEwen, which will be presented in the introduction. These existential questions focus on our identity and invite us to examine it differently.

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Pavlova: ephemeral artwork

October 25, 2019 - January 9, 2022

Doyon-Rivest’s work explores the principle of the reward pathway: activities that trigger the release of dopamine in our body induce a state of euphoria and generate seeking of immediate pleasure.

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350 Years of Art Practice in Québec

Museum’s collections - Any time

In the first half of the 20th century, challenges to an institutional academicism that had come to be seen as backward looking favoured the emergence of new cultural networks that advocated a conception of art foregrounding visual experimentation and artistic independence.

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